The Great Wave guitar was inspired by my fondness for Japanese wood block prints. The top is Adirondack spruce and the back and sides are a unique set of CITES-certified dark Brazilian rosewood. The binding is curly koa, as is the rosette. The headstock inlay was inspired by Hokusai's Great Wave, probably the best-known example of Japanese wood block art, and was executed by master inlay artist Jimmi Wingert. The guitars is a multiscale, or fanned-fret, design (25.75-25"). The splay or motion of the frets is intended visually to "push" the wave across the headstock. In keeping with the inlay theme, I used fossilized walrus ivory for the nut.